The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time, across the whole spectrum of his literary output. Contributions are solicited from among the most active and insightful scholars in the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged, to present a view of what is happening all around the world. Each issue includes a special section under the guidance of a specialist Guest Editor, as well as a production diary or record of a notable Shakespeare performance. An essential reference tool for scholars of early modern literature and culture, this annual captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. Currently, Alexa Alice Joubin is the general editor of the yearbook. To know more about her work please visit: https://ajoubin.org/
Advisory Board
Victoria Bladen, University of Queensland, Australia
Supriya Chaudhuri, Jadavpur University, Kolkata, India
Melissa Croteau, California Baptist University, USA
Sandra Young, University of Cape Town, Cape Town, South Africa
Jacek Fabiszak, Adam Mickiewicz University, Poznan, Poland
Katherine Hennessey, Wenzhou-Kean University, China
Jean Howard, Columbia University, New York City, USA
Ania Loomba, University of Pennsylvania, Philadelphia, USA
Alfredo Michel Modenessi, Universidad Nacional Autónoma de México, Mexico
Murat Ögütcü, Adıyaman University, Turkey
Nathalie Vienne-Guerrin, Universit. Paul-Val.ry Montpellier 3, France
Yukari Yoshihara, University of Tsukuba, Japan
Edited
By Alexa Alice Joubin, Natalia Khomenko, Katherine Schaap Williams
April 18, 2024
The Shakespearean International Yearbook surveys the present state of Shakespeare studies in global contexts, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time. Contributions are solicited from scholars across the field and from both ...
Edited
By Tom Bishop, Alexa Alice Joubin, Deanne Williams
December 22, 2023
This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. ...
Edited
By Tom Bishop, Alexa Alice Joubin
May 31, 2023
Publishing its nineteenth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are...
Edited
By Tom Bishop, Alexa Alice Joubin
May 31, 2023
For its eighteenth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are ...
Edited
By Tom Bishop, Alexa Huang
May 16, 2018
Currently in its seventeenth year and formerly published by Ashgate, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time, across the whole spectrum of his...
Edited
By David Schalkwyk
December 08, 2010
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be ...
Edited
By Jonathan Gil Harris
November 28, 2011
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be ...
Edited
By Sukanta Chaudhuri
October 28, 2012
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be ...
Edited
By Stuart Sillars
October 23, 2013
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be ...
Edited
By Brett Hirsch, Hugh Craig
August 06, 2014
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be ...
Edited
By Tiffany Werth
October 02, 2015
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be ...
Edited
By Ton Hoenselaars, Graham Bradshaw, Clara Calvo, Tom Bishop
October 14, 2008
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be ...